Friday, 29 March 2013
Friday, 22 March 2013
Wow
- two blog posts in one day - I am being productive!
After
a morning session at the studio I have now finished my three paper hangings
ready for a group exhibition at the Salisbury Arts Centre.
If you are in Salisbury during April/May then please don’t
miss this show: with five varied artists showcasing their work it will, undoubtedly
be an exciting and diverse exhibition.
I
have added some imagery below to show the work I will be including however,
they will take on the form of a hanging and, at over 9 feet in length I hope
they will make an impact in the space.
Dust On The Floor
After working so furiously on artwork it’s easy to forget
the components that are swept up, left behind or discarded. I have come to
realise that these elements are critical features and can, sometimes be as
important as the work itself.
I’ve been working with chalks and the amount of residue dust that settles (literally everywhere!) in the studio is quite surprising.
Working with strong yellows and acidic tones, alongside pure white created some
interesting colour formations on the floor. Without thinking I had
been walking over the dust making my own mark: creating patterns, and the
obsessive in me decided to document this.
It’s easy to forget the details of life that make it more
intriguing and ultimately more exciting.
I’m fascinated by the images below.....perhaps my next body
of work will explore the by-products when making artwork, instead of the original piece itself.
Saturday, 2 March 2013
Thursday, 28 February 2013
'Coexist' NEW Exhibition @Salisbury Arts Centre
Developing large scale drawings for a new exhibition at the Salisbury Arts Centre:
Projecting manipulated photographs onto large sheets of paper, then applying various mediums to create an abstracted visual representation of the original image.
All photographs have been taken and altered by myself: this is a fundamental element to the process. The particular photograph featured in the images below was taken in Salisbury near the industrial estate, to the back of the train station.
Please return to my Blog in the running up to the exhibition as I will continually post my new developments.
Updates for the upcoming show can also be found at:
http://www.facebook.com/pages/NewRED/127905187279692?ref=ts&fref=ts
18th April – 19th May
Projecting manipulated photographs onto large sheets of paper, then applying various mediums to create an abstracted visual representation of the original image.
All photographs have been taken and altered by myself: this is a fundamental element to the process. The particular photograph featured in the images below was taken in Salisbury near the industrial estate, to the back of the train station.
Please return to my Blog in the running up to the exhibition as I will continually post my new developments.
Updates for the upcoming show can also be found at:
http://www.facebook.com/pages/NewRED/127905187279692?ref=ts&fref=ts
Tuesday, 18 December 2012
Barbican -The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns
Exciting New Exhibition:
The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns
14 February 2013 - 9 June 2013
Barbican Art Gallery
"Exploring one of the most important chapters in the history of contemporary art, The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns focuses on Marcel Duchamp ’s American legacy, tracing his relationship to four great modern masters – composer, John Cage, choreographer, Merce Cunningham, and visual artists Robert Rauschenberg and Jasper Johns.
Encountering Duchamp and his work in the early stages of their careers, each of the younger artists embraced key elements of his ideas and practice, resulting in a seismic shift in the direction of art in the 1950s and ‘60s. Characterised by the integration of art and life, the work of Cage, Cunningham, Rauschenberg and Johns heralded the advent of Pop Art."
Barbican -The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns
Tuesday, 20 November 2012
Reflections on ‘Dorothy’ Exhibition @NewRED
As predicted the show had a manic set up (as do the majority
of exhibitions I imagine!), with last minute alterations and a late night in
the studio the day before the Private View. Despite this however, all our efforts
were well received and confirmed by the encouraging comments made by our
friends and the public who attended the show.
The exhibition as a whole worked well with our chosen ‘theme’
and title ‘Dorothy’. NewRED created a
surreal but fun environment where the audience could enjoy contemporary art that
posed questions but retained a playful continuation alongside its surroundings.
My assemblage piece was a confident conclusion to a 6 month’s
worth of work and research. I felt that I responded to the materials well and portrayed
the visual image featured in my photographic research in a considered manner.
I can now take my work forward in a positive direction in
the knowledge that I have formulated a clear relationship with my practice and
the concepts I strive to present.
I thoroughly enjoyed everything about the ‘Dorothy’ show and
maintain that it was our most ambitious exhibition to date. I look forward to experimenting
and creating a new work using the knowledge gained from ‘Dorothy’.
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